During his time as president of the jury at the second edition of the Artefact AI Film Festival, French director Cédric Klapisch shared his thoughts on the development of artificial intelligence and its impact on the world of cinema. Although this technology raises some concerns for him, it also awakens a renewed curiosity and passion for his art. In this interview, he discusses the challenges, opportunities, and ethical implications related to the use of AI in filmmaking.
A Curious Look at AI
Asked about his relationship with artificial intelligence before taking on the presidency of the jury, Klapisch reveals that he had an approach of ignorance. His participation in this festival is explained by a desire to explore how young creators integrate AI into their creative process. According to him, it is crucial to keep informed about new technologies and tools, even if they do not immediately appeal to him.
AI: A Tool, Not an Enemy
In the face of debates shaking the film industry regarding AI – some calling it a big bad wolf – Klapisch expresses a nuanced viewpoint. For him, it is not about choosing to be for or against AI, but about reflecting on its use. He emphasizes that even if directors like Darren Aronofsky adopt a critical approach, he remains convinced that AI can serve as a tool to enhance cinematic creation. In this regard, he visualizes the use of this technology not as a threat, but as a pathway for exploration.
Ethical and Environmental Concerns
Despite a palpable enthusiasm for the possibilities offered by AI, the director also acknowledges his concerns regarding ethical and environmental implications. He mentions the need for regulation, particularly regarding the environmental impact of data centers, which are becoming increasingly resource-hungry. Klapisch also highlights the issues of intellectual property that accompany the advent of AI, concerns that deserve urgent attention. The debate over the vocation of jobs affected by AI is also on the table, reminding us of the upheavals caused by the advent of digital equipment in cinema.
An Untapped Creative Potential
Klapisch does not hide the fact that he has already used AI in his latest film, The Coming of the Future. To eliminate background noise from a scene shot in Monceau Park, he employed a technology capable of filtering out undesirable sounds. He also acknowledges that colorization tools were essential for creating an atmospheric period. These experiences have allowed him to see that AI, when used correctly, can truly enrich the creative process.
An Evolution of His Artistic Approach
Although AI has become an omnipresent topic of discussion in the film world, Klapisch remains cautious about its widespread adoption. He dismisses the concept of AI-generated actors, finding it absurd and unengaging. For this director, the human presence and the natural imperfections of actors encountered on stage are essential elements that shape the emotions conveyed in cinema. Klapisch is convinced that his passion for the real and authentic stories drives him to explore paths that are not based on AI-generating creations.
A Promising Future
With his experience at the Artefact AI Film Festival, Klapisch leaves with a renewed ambition for cinema. He sees AI not as an end, but as a catalyst for rethinking and reinventing cinematic techniques. By mentioning the debate between painting and photography at the end of the 19th century, he suggests that AI could prompt directors to adapt and innovate more. Thus, this period of technological transition could open new creative perspectives for future generations of filmmakers.
